Wednesday, 28 August 2013





The ReenRoe Hotel (Ostan Rinn Roe)











Sadly, some projects don’t last as long as others.




















While on a recent journey to the Ring of Kerry we visited a hotel we furnished in 1971. 

The hotel would have depended heavily on the influx of American tourists and as may have been due to the troubles in the North at the time, tourism suffered and unfortunately the hotel closed down in the late 1980's.

Located on Ballinskelligs Bay, across from Waterville in a glorious but isolated location, the building has not been boarded up or closed off from curious wanderers and remains of some of the carpeting and underlay supplied by Martin – Hudson & Gibson Ltd are still visible.

Carpeting on a passageway which would have once been laid by Martin - Hudson & Gibson Ltd.


Underlay lays rolled and folded in one bedroom





Today the building stands alone on the hill, admiring the views that surround its ruins.











Bathroom tiles which would have been fitted in the new hotel, can still be seen today

One can still see what would have once been handsome red velvet buttoned seating

The beautiful stonework still stands amongst the debris on site at the ReenRoe Hotel










































By Ciara Eloise Nolan

















Wednesday, 14 August 2013

Damask for your Interiors



Damask for your Interiors!



I never really knew what damask was, not until recently. Another intern in the shop was explaining to me that the client she's assigned to work with has changed her mind from having owls on her bed posts to getting damask wallpaper, so that her bedroom would have some kind of detail (perhaps she has imagined the owls staring at her while she's sleeping?).

For you that doesn't know what damask is:

"is a reversible figured fabric of silkwoollinencotton, or synthetic fibres, with a pattern formed by weaving. Damasks are woven with one warp yarn and one weft yarn, usually with the pattern in warp-faced satin weave and the ground in weft-faced or sateen weave. Twill damasks include a twill-woven ground or pattern".
'[It] is a weaving style or technique that originated in the early Middle Age near Damascus, Syria. This particular style typically produced very ornate and decorative patterns in the fabric... wonderful to use in a design that needs to have a vintage or ornate look.'

Since the damask was invented, the pattern has been used with different kinds of fabric; and by designers, adding their own touch to the original pattern.

Prolific designers such as Nina Campbell, Manuel Canovas, as well as the companies Osborn & Little and Cole & Son, have used computerized Jacquard looms (mechanical loom machine) to create their monochromatic weaving masterpieces.

Here are some examples of Damask design available for purchase by the people and companies I have named above:



























Although there are many colour variations to choose from above, I still can't decide which I like the best.

While chatting to John Gibson the other day about damask and many things about it (I'd say he is a walking encyclopedia), he has mentioned a very beautiful and imaginative damask design by the company Osborne and Little: a very modern design, in my opinion yet shows that it has been influenced by the damask pattern. 

3. Osborne and Little - Chinese Dragon (Wallpaper Album 5 Collection)

Purple

 Black


Below are links to wallpaper books on websites where you can check out more vintage wallpapers - particularly one with damask touch on them:

Cole & Son:
- Fornasetti Collection
http://www.cole-and-son.com/collection_detail.asp?collectionid=104

Manuel Canovas:
- Papier Peint Bellegarde
http://designs.manuelcanovas.com/

Osborn and Little:
- Vintage
- Vintage II
- Stanza
- Komodo
- Folia
http://www.osborneandlittle.com/products-and-collections/wallcoverings

Nina Campbell
- Birdcage Walk Autumn 2006 http://shop.ninacampbell.com/luxury-wallpaper/autumn-2006

For more information about these wallpapers visit or contact:

Martin-Hudson & Gibson Ltd
http://mhg.ie/martin_hudson_gibson.asp
(contact details in the link above)

-Gera

Wednesday, 12 June 2013

Old Company Documents

Vintage Wednesday- 
Old Company Documents



Over the last few years, we here at Martin - Hudson & Gibson Ltd. have been compiling a little archive, detailing the history of the companys work since its establishment in 1958. 

These documents have come from all kinds of nooks & crannies, from all kinds of locations- including, most glamourously, being found in a skip & returned to John by a thoughtful customer.

As a company newcomer, it was interesting for me to study these old letters, invoices & photographs & appreciate the hard work that has been done over the last 55 years in order to build & maintain the good name of Martin - Hudson & Gibson Ltd.

Four locations later, in 1996, John Gibson moved to our current location beside the sea in Sandycove Road. With him came his extensive collection of fabrics, wallcoverings, antique furniture & most importantly his expertise in the field of interior design.

Here we have some documents taken from John’s nifty little archive. Note the varied paper sizes & the hand-typing. We came across one which even had a sewing pin in place of a staple. 







In so far as contact details, things sure have changed. An unfadeable telegram code & four-digit phone number sit nicely in the top right-hand corner.

Who knows, maybe in another 55 years this blog entry might make the company archive?!




-Louise Dockery-

Wednesday, 5 June 2013

Batiques

The company Martin Hudson & Gibson is full of wonders like these fabulous batiques.


 It is a method of decorating fabrics practiced for centuries by the natives of Indonesia. It consists of applying a design to the surface of the cloth by using melted wax. The material is then dipped in cool vegetable dye; the portions protected by the wax do not receive the dye, and when the wax is removed in hot water the previously covered areas display a light pattern on the colored ground. Remains of clothing found in Java indicate that the same or similar patterns have been in use for about 1,000 years and are handed down in families. Certain designs were traditionally reserved for royalty and high officials. Motifs are geometric or are based on conventionalized natural objects. Cotton cloth is generally used, and some silk. Batik was first brought into Europe by Dutch traders. In the 19th cent., Western artisans adopted the art.


 Although the word's origin is Javanese, its etymology may be either from the Javanese amba ('to write') and titik ('dot' or 'point'), or constructed from a hypothetical Proto-Austronesian root *beCík, meaning 'to tattoo' from the use of a needle in the process. The word is first recorded in English in the Encyclopædia Britannica of 1880, in which it is spelled battik. It is attested in the Indonesian Archipelago during the Dutch colonial period in various forms: mbatek, mbatik, batek and batik.


 Bernadette Madden works mainly in batik (wax resist on linen) and also makes screenprints on paper. She is born in Dublin, Ireland, Bernadette Madden studied  in the School of Painting at the National College of Art and Design , graduating in 1970. You'll can see on her website some batiks very beautiful like the following batique:
http://bernadettemadden.ie/ 



 Others artists have got websites with their batiks same as this one: http://www.batikartbybeth.com/






Wednesday, 29 May 2013

Martin - Hudson & Gibson - Carpeting the Grand Lodge of the Freemasons' Hall


Less than 50 meters from Leinster House one will discover the Freemasons' Hall on Molesworth Street. The very ornate Grand Lodge of Ireland's Freemasons was built in 1865 & is the governing body of hundreds of Lodges throughout Ireland.






Martin – Hudson & Gibson designed this carpet (pictured) for the Grand Lodge in the mid seventies in conjunction with Derek Ryan (Ryan O’Brien Handy), the Masonic architect for the Grand Lodge Room.

It reflects traditional Masonic symbols & emblems & would be recognized by masons all over the world.






For those interested in the technical details, the carpet was woven on Chlidema Wilton looms by Hugh Mackay of Durham as a 27” wide body carpet. It was woven in black & cream with the border woven at each end of each length & hand sewn on site by William Free.


The Freemasons' Hall is located at 17 Molesworth Street, Dublin 2. It is open to the public for conducted tours at 2:30 pm Monday to Friday. Appointments can be made outside these times by phoning 01 676 1337. 

Go to the first floor where you will be able to admire the carpeting in The Grand Lodge Room!

For more info on the Grand Lodge, click here


Ciara Eloise
Martin - Hudson & Gibson
Interior Designers



Wednesday, 24 April 2013

William Morris & Co. A Brief History & Glance At The Archive II Prints & Wallpapers


The new Morris & Co. Archive II Print and Wallpaper books arrived today at Martin - Hudson & Gibson! Before we delve right into the books, we'll bring you through a brief history of William Morris (& Co.)

Born in 1834 to an affluent middle class family in North East London, William Morris began studies of theology at Exeter College, Oxford in 1853, but quickly developed a passion for literature, architecture and art and design. After university, he went into fine art and before the age of 23 he was earning the equivalent of €84,000 per annum.

William married model Jane Burden in 1859 and they build a home together ("Red House" in Bexleyheath), decorating it in elaborate medieval style, complete with stained glass windows, tapestries and murals. After two years of building and decorating Red House, Morris took the next step in his career- he founded Morris, Marshall, Faulkner & Co. (a.k.a. "The Firm")- a company set up by "Fine Art Workmen".

Red House, Bexleyheath. 

Almost immediately, Morris began creating wallpaper designs for the new company and with the help of friend Philip Webb he created his first wallpaper, "Trellis" and later introduced the "Daisy" and "Fruit" papers.

Trellis Wallpaper- Webb drew the birds as Morris couldn't! 

In 1875 "The Firm" ceased operations and Morris set up a new company, trading by the name of Morris & Co, taking full control. During this time, Morris experimented with traditional dyeing techniques and strengthened as a creative pattern designer by devoting much of his time to creating and perfecting ranges inspired by early 19th Century prints.
In 1881 Morris acquired a disused factory near Wimbledon and it was here that the Hallmark Morris style was perfected- deep reds and indigo tones. 
The Morris & Co. showroom was set up on Oxford Street where they accepted commissions for complete interior decorating schemes and sold furniture, embroidery kits, wallpaper, textiles, ceramic, glass and brass ware to the public. 

Aside from developing and strengthening his textile and paper designing empire, Morris was an acclaimed writer and poet. 

William Morris died at a relatively young age, on October 3rd 1896, having "done more work than most ten men". After his death, the company changed name and ownership several times and lost its market share due to the loss of Morris' creative flair. As a result, in 1940 the company went in to liquidation, at which point Arthur Sanderson & Sons purchased the company and all its assets for a sum of £400.

Thanks to Sanderson, the brand Morris & Co. is still popular and continues to grow today. 


MORRIS & CO. ARCHIVE II PRINTS

The first design we noticed when the books arrived at Martin - Hudson & Gibson was the stand-out "Forest"; one of Morris' most successful compositions and a take on the original "Forest Tapestry" of 1887. The hare and the peacock amongst the flora and fauna have been revised in terms of scale, bringing the design in to the contemporary. The print is available in both velvet and linen.

Armchair covered with "Forest" print 2013.

Morris' original "Forest Tapestry" 1887





The print "Love Is Enough" pays homage to the play of the same title (and with the same typeface as on the original play cover) written by William Morris himself in 1872 when he discovered that his wife Jane was having an affair.

The "Lodden" print (pictured below) was designed by Morris between 1882 & 1885 and printed at Merton Abbey. The pattern of foliage and flowers has been faithfully reproduced to maintain the detailing originally seen in the 1880's prints.

Morris' other fabrics from the Archive II prints range are "Bamboo" and "Pink & Rose", both faithfully brought in to the current day but in keeping with their original designs.

MORRIS & CO. ARCHIVE II WALLPAPERS

As we already know, Morris' first ever wallpaper design was "Trellis". His second creation "Daisy" (created in 1862 along with "Pomegranate") was however the first of his wallpapers to be hand block printed (1864) and later became one of "The Firm's" most popular papers. "Daisy" came in a number of colorways and became so popular thanks to the simplistic yet refined pattern, suiting a wide range of customers. 

The original "Daisy" (1862)

Pictured below: The more contemporary "Daisy"- the background of the small scattered tufts of grass have been removed, simplifying the design for today's market.

"Bird & Pomegranate" was the last patterned wallpaper to be issued by Morris & Co. and it is said that it is loosely based on the original design of the "Fruit" wallpaper, but with the addition of decorative birds, the perfect addition to flora and fauna.


"Strawberry Thief", "Chrysanthemum" and "Acanthus" make a reappearance in the Archive II collection with revised colour schemes. Pictured below is "Chrysanthemum", inspired by the national flower of Japan;



If you would like to order any of the Morris & Co. Archive II Prints or Wallpapers, please contact the Interior Designers at Martin - Hudson & Gibson of Sandycove, Co. Dublin. We would love to assist you in your selection and can ensure that our fitters, upholsterers and curtain manufacturers meet the high standard that Mr. William Morris himself would have been proud of. 


Ciara Eloise Nolan. 





References:
william-morris.co.uk; pinso.co.uk; thetextileblog.blogspot.ie


Wednesday, 14 November 2012

Vintage - Paper-backed wall coverings by Pirat and Moire


In the early 14th century silk was a hugely popular choice of fabric, while many European countries participated in its production, nowhere was quite like the silk industry in France, or more specifically Lyon. In 1446 King Louis the XI decided to develop a national silk industry in Lyon however the Lyonnais people protested so strongly against this that the industry was moved to Tours. This didn't last for long as in 1540 King Francis I granted the city of Lyon a monopoly on the industry and by the early 1600’s Lyon was the European leader in silk production.
An original Pirat paper-backed wallcovering fabric available in Martin-Hudson &Gibson



The industry was vast and encompassed all areas such as silkworm agriculture, spinning, dyeing, weaving, and textile design. By the mid 17th century over 15,000 people were employed in the silk industry giving Lyon the highest concentration of workers in France at that time. There was an astonishing 14,000 looms in operation and the industry fed over a third of the city’s population alone.
During the industrial revolution it was uncertain whether the silk industry would survive in Lyon, but through the introduction of new machines such as the Jacquard loom the industry began to prosper once more. During the following years new fabrics types were developed including; bayadère, rep, taffeta, velour, cannelé, and gros de Tours.
Weave diagrams were highly technical in the nature so much so that up until 1920 they had remained relatively unchanged since the introduction of the Jacques loom, which had introduced the punch card diagram system. It was this system that led to the development of the first mechanical calculator and then to the modern computers.
Teal water silk (paper-backed) Moire wallcovering

A close up of a Pirat wallcovering



Martin-Hudson & Gibson have two beautiful paper-backed vintage wall covering fabrics in store today, the first designed by the very famous 'Pirat' company and the second by the equally famous 'Moire' company are at least a quarter of a century old and in excellent condition.

By Emma Lowe

Wednesday, 29 August 2012

Warner Grand Panel

A perfect match of 70's Style.
A curtain of Warner Grand Panel chintz on a Kirsch Atavio Gothic Rail.
















By Elisa Pérez Manso

Thursday, 12 July 2012

Vintage Wallpaper


Cole&Son - Canonbury Flock


This installation of Coles Canonbury  damask wallpaper was fitted in Mountjoy Square in the 80's. 
Coles periodically recolour & reinvent their designs to reflect the current trend and the smaller picture shows their current offering in flock.  


Posted by: Alessandra Petrecca

Wednesday, 20 June 2012




Our James Joyce window was anticipated by Giuseppe 
Arcimboldo.He also anticipated the Four Seasons sculptures 
by Philip Haas about to go on display at the Dulwich 
Picture Gallery along with works by Andy Warhol. See 
the splendid centrefold of Monday the 18th's Guardian newspaper.

Wednesday, 13 June 2012



James Joyce

after

Giuseppe Arcimboldo
1527-1593


created by

Alessandra Canfield Petrecca
&
Aislinn Ni Fhearghail



He said yes to our Queen Anne chair.