Wednesday, 29 May 2013

Martin - Hudson & Gibson - Carpeting the Grand Lodge of the Freemasons' Hall


Less than 50 meters from Leinster House one will discover the Freemasons' Hall on Molesworth Street. The very ornate Grand Lodge of Ireland's Freemasons was built in 1865 & is the governing body of hundreds of Lodges throughout Ireland.






Martin – Hudson & Gibson designed this carpet (pictured) for the Grand Lodge in the mid seventies in conjunction with Derek Ryan (Ryan O’Brien Handy), the Masonic architect for the Grand Lodge Room.

It reflects traditional Masonic symbols & emblems & would be recognized by masons all over the world.






For those interested in the technical details, the carpet was woven on Chlidema Wilton looms by Hugh Mackay of Durham as a 27” wide body carpet. It was woven in black & cream with the border woven at each end of each length & hand sewn on site by William Free.


The Freemasons' Hall is located at 17 Molesworth Street, Dublin 2. It is open to the public for conducted tours at 2:30 pm Monday to Friday. Appointments can be made outside these times by phoning 01 676 1337. 

Go to the first floor where you will be able to admire the carpeting in The Grand Lodge Room!

For more info on the Grand Lodge, click here


Ciara Eloise
Martin - Hudson & Gibson
Interior Designers



Wednesday, 24 April 2013

William Morris & Co. A Brief History & Glance At The Archive II Prints & Wallpapers


The new Morris & Co. Archive II Print and Wallpaper books arrived today at Martin - Hudson & Gibson! Before we delve right into the books, we'll bring you through a brief history of William Morris (& Co.)

Born in 1834 to an affluent middle class family in North East London, William Morris began studies of theology at Exeter College, Oxford in 1853, but quickly developed a passion for literature, architecture and art and design. After university, he went into fine art and before the age of 23 he was earning the equivalent of €84,000 per annum.

William married model Jane Burden in 1859 and they build a home together ("Red House" in Bexleyheath), decorating it in elaborate medieval style, complete with stained glass windows, tapestries and murals. After two years of building and decorating Red House, Morris took the next step in his career- he founded Morris, Marshall, Faulkner & Co. (a.k.a. "The Firm")- a company set up by "Fine Art Workmen".

Red House, Bexleyheath. 

Almost immediately, Morris began creating wallpaper designs for the new company and with the help of friend Philip Webb he created his first wallpaper, "Trellis" and later introduced the "Daisy" and "Fruit" papers.

Trellis Wallpaper- Webb drew the birds as Morris couldn't! 

In 1875 "The Firm" ceased operations and Morris set up a new company, trading by the name of Morris & Co, taking full control. During this time, Morris experimented with traditional dyeing techniques and strengthened as a creative pattern designer by devoting much of his time to creating and perfecting ranges inspired by early 19th Century prints.
In 1881 Morris acquired a disused factory near Wimbledon and it was here that the Hallmark Morris style was perfected- deep reds and indigo tones. 
The Morris & Co. showroom was set up on Oxford Street where they accepted commissions for complete interior decorating schemes and sold furniture, embroidery kits, wallpaper, textiles, ceramic, glass and brass ware to the public. 

Aside from developing and strengthening his textile and paper designing empire, Morris was an acclaimed writer and poet. 

William Morris died at a relatively young age, on October 3rd 1896, having "done more work than most ten men". After his death, the company changed name and ownership several times and lost its market share due to the loss of Morris' creative flair. As a result, in 1940 the company went in to liquidation, at which point Arthur Sanderson & Sons purchased the company and all its assets for a sum of £400.

Thanks to Sanderson, the brand Morris & Co. is still popular and continues to grow today. 


MORRIS & CO. ARCHIVE II PRINTS

The first design we noticed when the books arrived at Martin - Hudson & Gibson was the stand-out "Forest"; one of Morris' most successful compositions and a take on the original "Forest Tapestry" of 1887. The hare and the peacock amongst the flora and fauna have been revised in terms of scale, bringing the design in to the contemporary. The print is available in both velvet and linen.

Armchair covered with "Forest" print 2013.

Morris' original "Forest Tapestry" 1887





The print "Love Is Enough" pays homage to the play of the same title (and with the same typeface as on the original play cover) written by William Morris himself in 1872 when he discovered that his wife Jane was having an affair.

The "Lodden" print (pictured below) was designed by Morris between 1882 & 1885 and printed at Merton Abbey. The pattern of foliage and flowers has been faithfully reproduced to maintain the detailing originally seen in the 1880's prints.

Morris' other fabrics from the Archive II prints range are "Bamboo" and "Pink & Rose", both faithfully brought in to the current day but in keeping with their original designs.

MORRIS & CO. ARCHIVE II WALLPAPERS

As we already know, Morris' first ever wallpaper design was "Trellis". His second creation "Daisy" (created in 1862 along with "Pomegranate") was however the first of his wallpapers to be hand block printed (1864) and later became one of "The Firm's" most popular papers. "Daisy" came in a number of colorways and became so popular thanks to the simplistic yet refined pattern, suiting a wide range of customers. 

The original "Daisy" (1862)

Pictured below: The more contemporary "Daisy"- the background of the small scattered tufts of grass have been removed, simplifying the design for today's market.

"Bird & Pomegranate" was the last patterned wallpaper to be issued by Morris & Co. and it is said that it is loosely based on the original design of the "Fruit" wallpaper, but with the addition of decorative birds, the perfect addition to flora and fauna.


"Strawberry Thief", "Chrysanthemum" and "Acanthus" make a reappearance in the Archive II collection with revised colour schemes. Pictured below is "Chrysanthemum", inspired by the national flower of Japan;



If you would like to order any of the Morris & Co. Archive II Prints or Wallpapers, please contact the Interior Designers at Martin - Hudson & Gibson of Sandycove, Co. Dublin. We would love to assist you in your selection and can ensure that our fitters, upholsterers and curtain manufacturers meet the high standard that Mr. William Morris himself would have been proud of. 


Ciara Eloise Nolan. 





References:
william-morris.co.uk; pinso.co.uk; thetextileblog.blogspot.ie


Wednesday, 14 November 2012

Vintage - Paper-backed wall coverings by Pirat and Moire


In the early 14th century silk was a hugely popular choice of fabric, while many European countries participated in its production, nowhere was quite like the silk industry in France, or more specifically Lyon. In 1446 King Louis the XI decided to develop a national silk industry in Lyon however the Lyonnais people protested so strongly against this that the industry was moved to Tours. This didn't last for long as in 1540 King Francis I granted the city of Lyon a monopoly on the industry and by the early 1600’s Lyon was the European leader in silk production.
An original Pirat paper-backed wallcovering fabric available in Martin-Hudson &Gibson



The industry was vast and encompassed all areas such as silkworm agriculture, spinning, dyeing, weaving, and textile design. By the mid 17th century over 15,000 people were employed in the silk industry giving Lyon the highest concentration of workers in France at that time. There was an astonishing 14,000 looms in operation and the industry fed over a third of the city’s population alone.
During the industrial revolution it was uncertain whether the silk industry would survive in Lyon, but through the introduction of new machines such as the Jacquard loom the industry began to prosper once more. During the following years new fabrics types were developed including; bayadère, rep, taffeta, velour, cannelé, and gros de Tours.
Weave diagrams were highly technical in the nature so much so that up until 1920 they had remained relatively unchanged since the introduction of the Jacques loom, which had introduced the punch card diagram system. It was this system that led to the development of the first mechanical calculator and then to the modern computers.
Teal water silk (paper-backed) Moire wallcovering

A close up of a Pirat wallcovering



Martin-Hudson & Gibson have two beautiful paper-backed vintage wall covering fabrics in store today, the first designed by the very famous 'Pirat' company and the second by the equally famous 'Moire' company are at least a quarter of a century old and in excellent condition.

By Emma Lowe

Wednesday, 29 August 2012

Warner Grand Panel

A perfect match of 70's Style.
A curtain of Warner Grand Panel chintz on a Kirsch Atavio Gothic Rail.
















By Elisa Pérez Manso

Thursday, 12 July 2012

Vintage Wallpaper


Cole&Son - Canonbury Flock


This installation of Coles Canonbury  damask wallpaper was fitted in Mountjoy Square in the 80's. 
Coles periodically recolour & reinvent their designs to reflect the current trend and the smaller picture shows their current offering in flock.  


Posted by: Alessandra Petrecca

Wednesday, 20 June 2012




Our James Joyce window was anticipated by Giuseppe 
Arcimboldo.He also anticipated the Four Seasons sculptures 
by Philip Haas about to go on display at the Dulwich 
Picture Gallery along with works by Andy Warhol. See 
the splendid centrefold of Monday the 18th's Guardian newspaper.

Wednesday, 13 June 2012



James Joyce

after

Giuseppe Arcimboldo
1527-1593


created by

Alessandra Canfield Petrecca
&
Aislinn Ni Fhearghail



He said yes to our Queen Anne chair.

Wednesday, 2 May 2012


For this Vintage Wednesday we have acquired a unique 1950's fabric which can be used in a variety of different Interior Styling, From curtains to minor upholstery. 

 
By Marcelo Artur Cecill & Rebecca Reid

Wednesday, 28 March 2012

Our Bacon Table

Check out our Bacon table, the newest edition to our upcycled furniture collection. Inspired by Francis Bacon's workshop and originally painted by Lu Pan, it's available here instore for the quirky price of 1000 guineas.




Posted by: Ciara Russell

Wednesday, 14 March 2012

Upcycling Vintage Furniture

Upcycling furniture to give to a new lease of life is big in 2012. Check out some of our decorative painting which we did here instore.


















Here is our decoratively painted standard lamp. It has a splatter effect on the base and a two tone effect on the shaft of the lamp.


















Also here is a decoratively painted coffee table embellished with accents of wallpaper on the top and bottom in a beautiful damask pattern.

Posted by Ciara Russell

Wednesday, 21 December 2011

Vintage Lampshades

We have a range of vintage lampshades in stock at present. All were made by Mary Fitzsimmons, Ireland's top lampshade maker, between 1975 and 1995.

The shade above dates from the 1970s, and the batik is by Bernadette Madden. (SOLD)


This 1980s shade also features Bernadette Madden batik.


The above shade uses a Warner Print, and is from the 1990s. (SOLD)

Wednesday, 26 October 2011

Vintage Warner Fabrics

All of these wonderful fabrics were designed by an American designer by the name of Greeff for Warner & Sons. Greeff spent a lot of his time travelling and he was inspired by the sights and different cultures in which he came across on his many adventures. The inspiration from Greeff's travels can be seen in the many fabrics he designed.

We have a limited amount of these fabrics for sale in our vintage department including the ones listed below.



Shelducks and Mallards


Shelducks and Mallards






Kimono Stripe


Chinese Nightingale


Jasmine and Jade

Wednesday, 10 August 2011

Milan arm chair

It is hard to get a neat tub chair. One of the classics is the Milan.

Produced in large number by Harry Redmond of Restmond Products in Dublin from the 50's onwards. With no dimension greater than 70mm it will fit into fairly compact spaces and is superbly comfortable.